Please join us on Thursday 21st May from 3-4pm at Photo London (The Wapping project Bankside booth) where Edgar Martins will be signing copies of his latest book The Poetic Impossibility to Manage the Infinite.
This dypthic was produced in the context of the artist’s latest project What Photography & Incarceration have in Common with an Empty Vase, a project which results from a collaboration with inmates, incarcerated in the West Midlands, their families and a myriad of other individuals and community groups in the region.
Shot between 2010 and 2011, this book is structured as a topographic survey of hydro-electricity generating plants. No more than half a dozen people run power stations which, in some cases, were intended to house up to 250 workers just a few decades ago. This project is, thus, not just about the generation of power of also of dreams and technological utopias.
Wrestling, by Polly Tootal, is from her ongoing series The Hands That Built This City, which documents the daily lives of the men who live in the UAE’s labour camps, in all its banality and complexity. The labourers, brought in to prop up Dubai’s infrastructural aspirations are often enticed with false promises of prosperity, only to end up earning meagre wages and living in crowded accommodations with no proper plumbing.