Siloquies and Soliloquies on Death, Life and Other Interludes was selected as one of the best books of 2017 by Lens Culture. To read more pleack click here.
Shot between 2010 and 2011, this book is structured as a topographic survey of hydro-electricity generating plants. No more than half a dozen people run power stations which, in some cases, were intended to house up to 250 workers just a few decades ago. This project is, thus, not just about the generation of power of also of dreams and technological utopias.
This project was developed in some of the most interesting airports in Europe with a key role in history (the Azores, for example, was a compulsory stop for transatlantic flights prior to 1970 and a military base in both World Wars).
Almost all the images were produced at night, using an 8×20″ or 8×10″ camera as well as the aprons’ floodlights, moonlight, long or double exposures of between ten minutes to two hours. Sky and ground merge in darkness with only the lights and airport hieroglyphics to orient us.
This dypthic was produced in the context of Edgar Martins’ What Photography & Incarceration have in Common with an Empty Vase, a project which results from a collaboration with inmates, incarcerated in the West Midlands, their families and a myriad of other individuals and community groups in the region.
Torso, by William Lakin, is from the 2021 series Five Minutes After Birth, a response to the social conditioning men experience in modern Western societies. Referencing anti-social behaviour, sexuality and traditional gender roles, this work offers both a critical and reflective response to men’s pursuit of power and control, and their inclination to engage in competitive and often harmful behaviours.