Edgar Martins’ What Photography has in Common with an Empty Vase is awarded one of the top 3 prizes at Lens Culture Art Awards. A book of this work will be published by The Moth House in March 2019.
In 2012, Edgar Martins was granted unparalleled access to The European Space Agency (ESA) and its partners’ programs, including the human spaceflight, lunar and Mars exploration programs. Martins’ project highlights the wider politics of space exploration, the ever-growing role of science and technology in our society and our relationship with the unknown, whilst opening up wider questions around epistemology, metaphysics and ultimately humanity’s conception of itself.
Produced almost entirely within a 3km radius of the author’s home, and inspired by Salman Rushdie’s critique of the film The Wizard of Oz, The Diminishing Present is a visual contemplation on the concept of home and what it means to belong somewhere.
Shot between 2010 and 2011, this book is structured as a topographic survey of hydro-electricity generating plants. No more than half a dozen people run power stations which, in some cases, were intended to house up to 250 workers just a few decades ago. This project is, thus, not just about the generation of power of also of dreams and technological utopias.
Grandma, is an artwork from Helfrecht’s latest series “Unternächte”, which reflects on the period between Winter Solstice and Epiphany in Bavaria – a time known in parts of Southern Germany and Austria as “Rauhnächte”. Exploring ideas of rituality, magic, divination, dreams and clairvoyance, the artist holds in tension old family myths and history with new rituals she seeks to create with her camera and experiences.