XL Semanal (Spain), edition 28th September 2014, features Martins’ The Rehearsal of Space in a 6 page feature titled ‘La puerta espacial de Europa’ and with words by Fernando Goitia. The full article can be viewed and downloaded here.
This publication is produced within the context of Edgar Martins’ retrospective exhibition at the Centre Culturel Calouste Gulbenkian in Paris (Oct-Dec 2010) and brings together images from series created between 2005-2010, making possible a transverse appraisal of his photographic production, its unique characteristics, and conceptual framework.
Grandma, is an artwork from Helfrecht’s latest series “Unternächte”, which reflects on the period between Winter Solstice and Epiphany in Bavaria – a time known in parts of Southern Germany and Austria as “Rauhnächte”. Exploring ideas of rituality, magic, divination, dreams and clairvoyance, the artist holds in tension old family myths and history with new rituals she seeks to create with her camera and experiences.
This project was developed in some of the most interesting airports in Europe with a key role in history (the Azores, for example, was a compulsory stop for transatlantic flights prior to 1970 and a military base in both World Wars).
Almost all the images were produced at night, using an 8×20″ or 8×10″ camera as well as the aprons’ floodlights, moonlight, long or double exposures of between ten minutes to two hours. Sky and ground merge in darkness with only the lights and airport hieroglyphics to orient us.
Torso, by William Lakin, is from the 2021 series Five Minutes After Birth, a response to the social conditioning men experience in modern Western societies. Referencing anti-social behaviour, sexuality and traditional gender roles, this work offers both a critical and reflective response to men’s pursuit of power and control, and their inclination to engage in competitive and often harmful behaviours.