XL Semanal (Spain), edition 28th September 2014, features Martins’ The Rehearsal of Space in a 6 page feature titled ‘La puerta espacial de Europa’ and with words by Fernando Goitia. The full article can be viewed and downloaded here.
Produced almost entirely within a 3km radius of the author’s home, and inspired by Salman Rushdie’s critique of the film The Wizard of Oz, The Diminishing Present is a visual contemplation on the concept of home and what it means to belong somewhere.
This book surveys the largest exhibition to date of the project Siloquies and Soliloquies on Death, Life and Other Interludes, at the CIAJG, Portugal, forcing us to consider photography’s role in the intelligibility of death.
This dypthic was produced in the context of Edgar Martins’ What Photography & Incarceration have in Common with an Empty Vase, a project which results from a collaboration with inmates, incarcerated in the West Midlands, their families and a myriad of other individuals and community groups in the region.
This seminal book is an excursus on the metastization of the urban frontier. Produced in South-East China, Portugal and South Africa the author uses the ‘black hole’ in the landscape as a way to rethink our relationship with the modern de-centred city.