Please join us on Thursday 21st May from 3-4pm at Photo London (The Wapping project Bankside booth) where Edgar Martins will be signing copies of his latest book The Poetic Impossibility to Manage the Infinite.
This artwork was produced in the context of Carlos Barradas’ Ferry Tales series. This ongoing series of work explores the departure, journey and arrival of a myriad of ferry crossings, and the ship as heterotopia par excellence.
In 2014 Edgar Martins approached BMW with a simple idea: to stop the production lines in order to photograph Plant Munich. Although the project surveys on the surface the fabrication, tooling and assembly of the modern era automobile vehicle, it also represents a point of resistance: to the world of flux and flow that we live in, to a world haunted by mobility, transience and uncertainty.
Produced in collaboration with the National Institute of Legal Medicine and Forensic Sciences in Portugal, between 2013 and 2017, this project is a reflexion on the tensions and contradictions inherent in the representation and imagination of death, in particular suicide, and the decisive but deeply paradoxical role that photography has played in its intelligibility and perception.
This seminal book is an excursus on the metastization of the urban frontier. Produced in South-East China, Portugal and South Africa the author uses the ‘black hole’ in the landscape as a way to rethink our relationship with the modern de-centred city.