Please join us on Thursday 21st May from 3-4pm at Photo London (The Wapping project Bankside booth) where Edgar Martins will be signing copies of his latest book The Poetic Impossibility to Manage the Infinite.
Produced in collaboration with the National Institute of Legal Medicine and Forensic Sciences in Portugal, between 2013 and 2017, this project is a reflexion on the tensions and contradictions inherent in the representation and imagination of death, in particular suicide, and the decisive but deeply paradoxical role that photography has played in its intelligibility and perception.
Grandma (2018), by Elena Helfrecht, is from her ongoing series“Plexus”, a photographic study of still lives that emerge from inherited trauma and post-memory, following the death of the artist’s grandmother. Through this series the artist reconnects the fragmentary history of her female lineage and confronts a past spanning across four generations, examining ideas around post-memory, mental health, war, and history.
This dypthic was produced in the context of the artist’s latest project What Photography & Incarceration have in Common with an Empty Vase, a project which results from a collaboration with inmates, incarcerated in the West Midlands, their families and a myriad of other individuals and community groups in the region.
This dypthic was produced in the context of the artist’s award winning project Siloquies and Soliloquies on Death, Life and Other Interludes, a project developed over a period of three years with the Institute of Legal Medicine and Forensic Sciences, Portugal, exploring the tension between concealment and revelation.