Please join us on Thursday 21st May from 3-4pm at Photo London (The Wapping project Bankside booth) where Edgar Martins will be signing copies of his latest book The Poetic Impossibility to Manage the Infinite.
This seminal book is brings together 5 bodies of work, inspired by both early 18th century evocations of the sublime and contemporary pictorial traditions.
But for all its historical evocation, the photographs in this publication are fraught with anxieties about ruin.
This book surveys the largest exhibition to date of the project Siloquies and Soliloquies on Death, Life and Other Interludes, at the CIAJG, Portugal, forcing us to consider photography’s role in the intelligibility of death.
In 2012, Edgar Martins was granted unparalleled access to The European Space Agency (ESA) and its partners’ programs, including the human spaceflight, lunar and Mars exploration programs. Martins’ project highlights the wider politics of space exploration, the ever-growing role of science and technology in our society and our relationship with the unknown, whilst opening up wider questions around epistemology, metaphysics and ultimately humanity’s conception of itself.
This dypthic was produced in the context of Edgar Martins’ What Photography & Incarceration have in Common with an Empty Vase, a project which results from a collaboration with inmates, incarcerated in the West Midlands, their families and a myriad of other individuals and community groups in the region.