Daniel C. Blight makes a poignant analysis and reflection on Edgar Martins’ Siloquies and Soliloquies on Death, Life and Other Interludes. Read the article here.
This book surveys the largest exhibition to date of the project Siloquies and Soliloquies on Death, Life and Other Interludes, at the CIAJG, Portugal, forcing us to consider photography’s role in the intelligibility of death.
This project results from a collaboration with inmates, incarcerated in the West Midlands (UK), their families and local organisations and individuals. By giving a voice to his subjects, the author proposes to rethink and counter the sort of imagery normally associated with incarceration and confinement.
Shot between 2010 and 2011, this book is structured as a topographic survey of hydro-electricity generating plants. No more than half a dozen people run power stations which, in some cases, were intended to house up to 250 workers just a few decades ago. This project is, thus, not just about the generation of power of also of dreams and technological utopias.
This series brings us a poignant commentary on the financial ruin and bankruptcy that struck the lives of many thousands of people, in the wake of the 2008 sub-prime crisis in the USA. The print that is made available with the collector’s edition of this book is available in 8×10″ in a total edition of 50 and is signed and numbered by the artist.