Daniel C. Blight makes a poignant analysis and reflection on Edgar Martins’ Siloquies and Soliloquies on Death, Life and Other Interludes. Read the article here.
Wrestling, by Polly Tootal, is from her ongoing series The Hands That Built This City, which documents the daily lives of the men who live in the UAE’s labour camps, in all its banality and complexity. The labourers, brought in to prop up Dubai’s infrastructural aspirations are often enticed with false promises of prosperity, only to end up earning meagre wages and living in crowded accommodations with no proper plumbing.
Produced over a period of 12 months with the Portuguese Airport Administration Authorities this book surveys the modern airport. Pictured as the elementary expression of abstract space, in Martins’ images sky and ground collide, overlap and blur.
This dypthic was produced in the context of the artist’s award winning project Siloquies and Soliloquies on Death, Life and Other Interludes, a project developed over a period of three years with the Institute of Legal Medicine and Forensic Sciences, Portugal, exploring the tension between concealment and revelation.
Shot between 2010 and 2011, this book is structured as a topographic survey of hydro-electricity generating plants. No more than half a dozen people run power stations which, in some cases, were intended to house up to 250 workers just a few decades ago. This project is, thus, not just about the generation of power of also of dreams and technological utopias.