Daniel C. Blight makes a poignant analysis and reflection on Edgar Martins’ Siloquies and Soliloquies on Death, Life and Other Interludes. Read the article here.
This artwork examines & reimagines a set of historical images, from the collection of the Archive of Modern Conflict, which were taken by an unnamed US policeman in the 1960s, who produced erotic images of black women in his spare time. It opens up a debate about the politicisation of the representation of the female body, the synchronous histories of anthropology & colonialism & their intersection with the practice of photography.
This dypthic was produced in the context of the artist’s latest project What Photography & Incarceration have in Common with an Empty Vase, a project which results from a collaboration with inmates, incarcerated in the West Midlands, their families and a myriad of other individuals and community groups in the region.
In study that goes beyond mere documentation, this publication brings us a poignant commentary on the financial ruin and bankruptcy that struck the lives of many thousands of people, in the wake of the 2008 sub-prime crisis in the USA.