Daniel C. Blight makes a poignant analysis and reflection on Edgar Martins’ Siloquies and Soliloquies on Death, Life and Other Interludes. Read the article here.
This artwork was produced in the context of Carlos Barradas’ Ferry Tales series. This ongoing series of work explores the departure, journey and arrival of a myriad of ferry crossings, and the ship as heterotopia par excellence.
Shot between 2010 and 2011, this book is structured as a topographic survey of hydro-electricity generating plants. No more than half a dozen people run power stations which, in some cases, were intended to house up to 250 workers just a few decades ago. This project is, thus, not just about the generation of power of also of dreams and technological utopias.
This publication is produced within the context of Edgar Martins’ retrospective exhibition at the Centre Culturel Calouste Gulbenkian in Paris (Oct-Dec 2010) and brings together images from series created between 2005-2010, making possible a transverse appraisal of his photographic production, its unique characteristics, and conceptual framework.
Produced over a period of 12 months with the Portuguese Airport Administration Authorities this book surveys the modern airport. Pictured as the elementary expression of abstract space, in Martins’ images sky and ground collide, overlap and blur.