Shot between 2010 and 2011, this book is structured as a topographic survey of hydro-electricity generating plants. No more than half a dozen people run power stations which, in some cases, were intended to house up to 250 workers just a few decades ago. This project is, thus, not just about the generation of power of also of dreams and technological utopias.
This project results from a collaboration with inmates, incarcerated in the West Midlands (UK), their families and local organisations and individuals. By giving a voice to his subjects, the author proposes to rethink and counter the sort of imagery normally associated with incarceration and confinement.
Produced in collaboration with the National Institute of Legal Medicine and Forensic Sciences in Portugal, between 2013 and 2017, this project is a reflexion on the tensions and contradictions inherent in the representation and imagination of death, in particular suicide, and the decisive but deeply paradoxical role that photography has played in its intelligibility and perception.