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This dypthic was produced in the context of Edgar Martins’ Siloquies and Soliloquies on Death, Life and Other Interludes, a project developed over a period of three years with the Institute of Legal Medicine and Forensic Sciences, Portugal. It reflects on the gaps in understanding, information and representation and the deep rooted anxieties around ethics and aesthetics that inevitably arise when documentary photography and questions of visibility intersect.