XL Semanal (Spain), edition 28th September 2014, features Martins’ The Rehearsal of Space in a 6 page feature titled ‘La puerta espacial de Europa’ and with words by Fernando Goitia. The full article can be viewed and downloaded here.
In 2012, Edgar Martins was granted unparalleled access to The European Space Agency (ESA) and its partners’ programs, including the human spaceflight, lunar and Mars exploration programs. Martins’ project highlights the wider politics of space exploration, the ever-growing role of science and technology in our society and our relationship with the unknown, whilst opening up wider questions around epistemology, metaphysics and ultimately humanity’s conception of itself.
This dypthic was produced in the context of Edgar Martins’ What Photography & Incarceration have in Common with an Empty Vase, a project which results from a collaboration with inmates, incarcerated in the West Midlands, their families and a myriad of other individuals and community groups in the region.
Shot between 2010 and 2011, this book is structured as a topographic survey of hydro-electricity generating plants. No more than half a dozen people run power stations which, in some cases, were intended to house up to 250 workers just a few decades ago. This project is, thus, not just about the generation of power of also of dreams and technological utopias.
Torso, by William Lakin, is from the 2021 series Five Minutes After Birth, a response to the social conditioning men experience in modern Western societies. Referencing anti-social behaviour, sexuality and traditional gender roles, this work offers both a critical and reflective response to men’s pursuit of power and control, and their inclination to engage in competitive and often harmful behaviours.