Produced almost entirely within a 3km radius of the author’s home, and inspired by Salman Rushdie’s critique of the film The Wizard of Oz, The Diminishing Present is a visual contemplation on the concept of home and what it means to belong somewhere.
This book surveys the largest exhibition to date of the project Siloquies and Soliloquies on Death, Life and Other Interludes, at the CIAJG, Portugal, forcing us to consider photography’s role in the intelligibility of death.
Shot between 2010 and 2011, this book is structured as a topographic survey of hydro-electricity generating plants. No more than half a dozen people run power stations which, in some cases, were intended to house up to 250 workers just a few decades ago. This project is, thus, not just about the generation of power of also of dreams and technological utopias.
This seminal book is an excursus on the metastization of the urban frontier. Produced in South-East China, Portugal and South Africa the author uses the ‘black hole’ in the landscape as a way to rethink our relationship with the modern de-centred city.
In study that goes beyond mere documentation, this publication brings us a poignant commentary on the financial ruin and bankruptcy that struck the lives of many thousands of people, in the wake of the 2008 sub-prime crisis in the USA.
This project results from a collaboration with inmates, incarcerated in the West Midlands (UK), their families and local organisations and individuals. By giving a voice to his subjects, the author proposes to rethink and counter the sort of imagery normally associated with incarceration and confinement.
This series brings us a poignant commentary on the financial ruin and bankruptcy that struck the lives of many thousands of people, in the wake of the 2008 sub-prime crisis in the USA. The print that is made available with the collector’s edition of this book is available in 8×10″ in a total edition of 50 and is signed and numbered by the artist.
In 2012, Edgar Martins was granted unparalleled access to The European Space Agency (ESA) and its partners’ programs, including the human spaceflight, lunar and Mars exploration programs. Martins’ project highlights the wider politics of space exploration, the ever-growing role of science and technology in our society and our relationship with the unknown, whilst opening up wider questions around epistemology, metaphysics and ultimately humanity’s conception of itself.