This dypthic was produced in the context of Edgar Martins’ Siloquies and Soliloquies on Death, Life and Other Interludes, a project developed over a period of three years with the Institute of Legal Medicine and Forensic Sciences, Portugal. It reflects on the gaps in understanding, information and representation and the deep rooted anxieties around ethics and aesthetics that inevitably arise when documentary photography and questions of visibility intersect.
This dypthic was produced in the context of the artist’s award winning project Siloquies and Soliloquies on Death, Life and Other Interludes, a project developed over a period of three years with the Institute of Legal Medicine and Forensic Sciences, Portugal, exploring the tension between concealment and revelation.
The Man and the Tree, by Luís Preto, is from his ongoing series Pensar como uma Montanha (To think as a Mountain), which follows and documents the day to day life of Hervé Valette, a hermit, whose disavowal of modern institutions and the postmodernist lifestyle took him to seek refuge in the remote region of northern Portugal.
Wrestling, by Polly Tootal, is from her ongoing series The Hands That Built This City, which documents the daily lives of the men who live in the UAE’s labour camps, in all its banality and complexity. The labourers, brought in to prop up Dubai’s infrastructural aspirations are often enticed with false promises of prosperity, only to end up earning meagre wages and living in crowded accommodations with no proper plumbing.