Grandma, is an artwork from Helfrecht’s latest series “Unternächte”, which reflects on the period between Winter Solstice and Epiphany in Bavaria – a time known in parts of Southern Germany and Austria as “Rauhnächte”. Exploring ideas of rituality, magic, divination, dreams and clairvoyance, the artist holds in tension old family myths and history with new rituals she seeks to create with her camera and experiences.
This publication is produced within the context of Edgar Martins’ retrospective exhibition at the Centre Culturel Calouste Gulbenkian in Paris (Oct-Dec 2010) and brings together images from series created between 2005-2010, making possible a transverse appraisal of his photographic production, its unique characteristics, and conceptual framework.
Shot between 2010 and 2011, this book is structured as a topographic survey of hydro-electricity generating plants. No more than half a dozen people run power stations which, in some cases, were intended to house up to 250 workers just a few decades ago. This project is, thus, not just about the generation of power of also of dreams and technological utopias.
This artwork was produced in the context of Carlos Barradas’ Ferry Tales series. This ongoing series of work explores the departure, journey and arrival of a myriad of ferry crossings, and the ship as heterotopia par excellence.