In study that goes beyond mere documentation, this publication brings us a poignant commentary on the financial ruin and bankruptcy that struck the lives of many thousands of people, in the wake of the 2008 sub-prime crisis in the USA.
This dypthic was produced in the context of the artist’s award winning project Siloquies and Soliloquies on Death, Life and Other Interludes, a project developed over a period of three years with the Institute of Legal Medicine and Forensic Sciences, Portugal, exploring the tension between concealment and revelation.
This artwork was produced in the context of Carlos Barradas’ Ferry Tales series. This ongoing series of work explores the departure, journey and arrival of a myriad of ferry crossings, and the ship as heterotopia par excellence.
In 2014 Edgar Martins approached BMW with a simple idea: to stop the production lines in order to photograph Plant Munich. Although the project surveys on the surface the fabrication, tooling and assembly of the modern era automobile vehicle, it also represents a point of resistance: to the world of flux and flow that we live in, to a world haunted by mobility, transience and uncertainty.
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